HELL YOU TALMBOUT: MIXTAPES AS METHOD FOR ONLINE ENVIRONMENTAL JUSTICE PEDAGOGY

Abstract

This paper takes on the mixtape as a pedagogical method for approaching urgent and critical topics within the undergraduate online classroom. Drawing on two case studies from different sections of an introductory course on environmental and social justice taught in an American studies department, we demonstrate how mixtape-inspired assignments offer a method for theorizing and enacting the connections between popular culture and critical scholarship around injustice in the humanities and social sciences while also altering the space of the classroom to promote deeper student engagement, comprehension, and reflection. We argue that introducing popular culture as both content and method within an undergraduate course not only strengthens student understanding of key concepts and the relevance of these outside the classroom, but also acknowledges the importance of time and context within the space of the online course. Popular culture, a component of this context, enriches the online learning experience and responds to contemporary issues and events that students encounter in the material world. Mixtapes serve as a conceptual tool for understanding the contents of a syllabus and as a pedagogical tool for assessment. The practice of making mixtapes within a course on environmental and social justice opens the possibility for radical expression.

Keywords: mixtape, environmental justice, online classroom, online teaching and learning, popular culture, pedagogy