Abstract:
An iconic staple of 1990s Hollywood cinema, director-screenwriter Amy Heckerling’s Clueless (1995) is a cult classic. This article examines the film’s postmodern visual dynamics, which parody hyperreal media culture and its connection to feminine teen consumerism amidst the image-saturated society of mid-’90s era Los Angeles.
Keywords: Clueless, Amy Heckerling, Jane Austen, Emma, Popular Culture Visual Culture, Film Studies, Media Studies, Postmodernism, Hyperreal