BAD GIRLS: AGENCY, REVENGE, AND REDEMPTION IN CONTEMPORARY DRAMA

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dc.contributor.authorWatson, Courtney
dc.date.accessioned2022-06-30T09:43:46Z
dc.date.available2022-06-30T09:43:46Z
dc.date.issued2019
dc.description.abstractCultural movements including #TimesUp and #MeToo have contributed momentum to the demand for and development of smart, justified female criminal characters in contemporary television drama. These women are representations of shifting power dynamics, and they possess agency as they channel their desires and fury into success, redemption, and revenge. Building on works including Gillian Flynn’s Gone Girl and Netflix’s Orange is the New Black, dramas produced since 2016—including The Handmaid’s Tale, Ozark, and Killing Eve—have featured the rise of women who use rule-breaking, rebellion, and crime to enact positive change. Keywords: #TimesUp, #MeToo, crime, television, drama, power, Margaret Atwood, revenge, Gone Girl, Orange is the New Black, The Handmaid’s Tale, Ozark, Killing Eveen_US
dc.identifier.citationWatson, C. (2019). Bad Girls: Agency, revenge, and redemption in contemporary drama. Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy. 6(2). http://journaldialogue.org/issues/v6-issue-2/bad-girls-agency-revenge-and-redemption-in-contemporary-drama/en_US
dc.identifier.issn2378-2331
dc.identifier.urihttp://journaldialogue.org/issues/v6-issue-2/bad-girls-agency-revenge-and-redemption-in-contemporary-drama/
dc.identifier.urihttp://nur.nu.edu.kz/handle/123456789/6336
dc.language.isoenen_US
dc.publisherDialogue, 6(2)en_US
dc.relation.ispartofseriesDialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy;Volume 6, Issue 2 — Criminals as Heroes: Problems and Pedagogy in Popular Culture
dc.rightsAttribution-NonCommercial-ShareAlike 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/3.0/us/*
dc.subjectType of access: Open Accessen_US
dc.titleBAD GIRLS: AGENCY, REVENGE, AND REDEMPTION IN CONTEMPORARY DRAMAen_US
dc.typeArticleen_US
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