EASTERN IMAGINARIES

dc.contributor.authorQuinn, Erika
dc.date.accessioned2022-06-20T05:10:40Z
dc.date.available2022-06-20T05:10:40Z
dc.date.issued2017
dc.description.abstractOrientalist tropes shaped Western ideas about the East in the late-nineteenth and early-twentieth centuries through travelogues and fiction, and have persisted into the twenty-first. One central set -piece of these stereotypes is the imaginary Eastern European country, “Ruritania.” The advantages and drawbacks of such an imagined place are explored more thoroughly through two recent pieces of pop culture, Wes Anderson’s film “The Grand Budapest Hotel”, and China Miéville’s novel The City and the City. While Anderson’s film entertains and sustains Orientalist stereotypes, Miéville’s novel demands the reader go deeper to empathize with characters and grapple with key issues about collective identity, power, corruption and violence. Keywords: Wes Anderson, China Miéville, World War Two, Stefan Zweig, Bruno Schulz, Identity, Kitsch, Ruritania, Holocaust, Orientalismen_US
dc.identifier.citationQuinn, E. (2017). Eastern imaginaries. Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy. 4(1). http://journaldialogue.org/issues/v4-issue-1/eastern-imaginaries/en_US
dc.identifier.issn2378-2331
dc.identifier.issn2378-2323
dc.identifier.urihttp://journaldialogue.org/issues/v4-issue-1/eastern-imaginaries/
dc.identifier.urihttp://nur.nu.edu.kz/handle/123456789/6279
dc.language.isoenen_US
dc.publisherDialogue, 4(1)en_US
dc.relation.ispartofseriesDialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy;Volume 4, Issue 1 — Intersections: Belief, Pedagogy, and Politics
dc.rightsAttribution-NonCommercial-ShareAlike 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/3.0/us/*
dc.subjectType of access: Open Accessen_US
dc.titleEASTERN IMAGINARIESen_US
dc.typeArticleen_US
workflow.import.sourcescience

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