DSpace Repository

SURVIVOR SKILLS: AUTHENTICITY, REPRESENTATION AND WHY I WANT TO TEACH REALITY TV

Система будет остановлена для регулярного обслуживания. Пожалуйста, сохраните рабочие данные и выйдите из системы.

Show simple item record

dc.contributor.author Friedman, May
dc.date.accessioned 2022-06-10T10:11:15Z
dc.date.available 2022-06-10T10:11:15Z
dc.date.issued 2015
dc.identifier.citation Friedman, M. (2014). Survivor skills: Authenticity, representation and why I want to teach reality TV. Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy. 2(1). http://journaldialogue.org/issues/issue-2/survivor-skills-authenticity-representation-and-why-i-want-to-teach-reality-tv/ en_US
dc.identifier.issn 2378-2331
dc.identifier.issn 2378-2323
dc.identifier.uri http://journaldialogue.org/issues/survivor-skills-authenticity-representation-and-why-i-want-to-teach-reality-tv/
dc.identifier.uri http://nur.nu.edu.kz/handle/123456789/6224
dc.description.abstract This paper will consider the pedagogical potential in constructing a class on the phenomenon of reality television by exploring the possibilities and pitfalls of a shared viewing of these “texts” as a site of critical engagement with popular culture. A course on reality TV would require a deep analysis of the topics of representation, authenticity, and audience reactions. The course I would like to teach would also consider the ways that reality TV is simultaneously emblematic of, and contributes to, the foregrounding of neo-liberal discourses. This paper addresses some of the pedagogical implications of an analysis of reality TV by considering the above themes in greater detail. I see the creation of a post-secondary class on reality TV as pedagogically radical in both form and content, as a site where new ideas can be applied to shifting and unstable terrain. In challenging the primacy of high culture as the only worthy area of analysis, in viewing one of the most debased forms of popular culture as academically rich, I hope to help my undergraduate students build bridges between what they think about in school and what they do at home. I see such a class as an exciting explosion of the binaries of high and low culture, public and private space, and truth and fiction. Keywords: Reality Television, Engaged Pedagogy, Popular Culture, Representation, Authenticity, Neoliberalism, Social Work, Critical Discourse Analysis en_US
dc.language.iso en en_US
dc.publisher Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy en_US
dc.relation.ispartofseries Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy;Volume 2, Issue 1 — Traversing Realities: Genres, Histories, and Politics in Popular Culture
dc.rights Attribution-NonCommercial-ShareAlike 3.0 United States *
dc.rights.uri http://creativecommons.org/licenses/by-nc-sa/3.0/us/ *
dc.subject Reality Television en_US
dc.subject Type of access: Open Access en_US
dc.subject Critical Discourse Analysis en_US
dc.subject Neoliberalism en_US
dc.subject Popular Culture en_US
dc.title SURVIVOR SKILLS: AUTHENTICITY, REPRESENTATION AND WHY I WANT TO TEACH REALITY TV en_US
dc.type Article en_US
workflow.import.source science


Files in this item

The following license files are associated with this item:

This item appears in the following Collection(s)

Show simple item record

Attribution-NonCommercial-ShareAlike 3.0 United States Except where otherwise noted, this item's license is described as Attribution-NonCommercial-ShareAlike 3.0 United States