Not Suitable for Kazakhs? Authenticity and National Identity in Contemporary Kazakhstani Music
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Date
2019
Authors
Otan, Merey
Journal Title
Journal ISSN
Volume Title
Publisher
Nazarbayev University School of Sciences and Humanities
Abstract
In the two decades since the collapse of the Soviet Union, the musical landscape in Kazakhstan has come to include diverse localized versions of global music. The alternative soundscape of modern Kazakhstan encompasses rhythmic electronic dance sounds, hard rock, romantic and mellow indie, harsh rap, experimental rock, and other genres. Modern musicians now use an electric version of a traditional instrument, the elektro-dombyra, to perform ethnic rock. The language of performance among musicians varies from Kazakh to Russian and English. One recent phenomenon in Kazakhstan is the emergence of ‘Q-pop’, which is largely modeled on K-pop and which is rapidly gaining popularity among the local audience. Many of these performers faced some criticism for their unconventional choices of instruments, genres, and visual images. This thesis addresses the questions of what strategies these musicians themselves use to claim authenticity, and how these strategies intertwine with local discourses of national
identity, language, and gender...
Description
Keywords
musical landscape
Citation
Otan, Merey (2019) THE DEVELOPMENT OF MA PROGRAMS AT NAZARBAYEV UNIVERSITY: A LONGITUDINAL STUDY.Nazarbayev University, School of Humanities and Social Sciences.